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It was simply assumed as an obvious truth that there were good women and bad women, and that good women didn’t and bad women did.In the beginning, the screen heroines were all good — the feisty child-woman Mary Pickford, and that angel with a spine of steel, Lillian Gish.
Right around the same time, Norma Shearer was getting bored with the nice girls she was playing and lobbied to play women who were more frankly sexual.
She got her chance in “The Divorcee,” as a modern career woman who finds out that her husband has cheated on her, and so she goes out that night and has sex with his best friend.
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That film led to even more radical films, such as “Strangers May Kiss,” as a woman recovering from romantic disappointment, who goes on a sexual rampage through Europe. ”) As the first actress to play perfectly acceptable unmarried women who were sexually active, Shearer was Garbo’s mirror opposite — the “bad good woman.” This led to a golden age for women in the American screen, with actresses dominating the top 10 box office lists as they never would again.
This was the age of Mae West’s provocative comedies (“She Done Him Wrong,” “I’m No Angel”), of Garbo’s subtle but unmistakable depiction of bisexuality in “Queen Christina,” and of Miriam Hopkins, Fredric March and Gary Cooper playing three sides of a menage a trois in “Design for Living.” But it all came to an end with the imposition of rigid censorship, in the form of the Production Code, on July 1, 1934. S., Europe diverge Until this point, the United States and Europe had followed roughly the same path with regard to women and sex.
The vast majority of Garbo’s films, from “The Mysterious Lady” (1928) through “Camille” and “Conquest” in 1937, follow this identical pattern.
Garbo became the first “good bad woman,” and in her wake came a tide of virtuous prostitutes and goodhearted good-time gals, played by actresses such as Jean Harlow (“Red Dust”), Marlene Dietrich (“Shanghai Express,” “Blonde Venus”) and the unfairly forgotten Mae Clarke (lovely in the 1931 “Waterloo Bridge”).
Bara and other screen vamps who followed enjoyed a huge vogue for a time. Women liked them because they were a vision of power. ” — a catchphrase from “A Fool There Was” — was quickly amended to “Kiss me, you fool!
” and said by millions of wives and girlfriends to their men as they left the movie theater.
It begins with the two-reelers at the start of the 20th century and reaches its latest milestone with “Fifty Shades of Grey,” which opens Friday, Feb 13.Tags: Adult Dating, affair dating, sex dating